Saturday, 28 November 2009

so... instead of printing the group photo of all the hardworking Back 2 Bikes volunteers standing beneath my banner, this week the Express and Star printed a picture of local MP David Kidney riding a bike.

(NOTE: David Kidney just happened to be visiting Back2Bikes)

It makes me so mad!!! Everyone there works so hard - my little brother has worked there for free for 3 years now! Its time they got some recognition.

Thursday, 19 November 2009

Let's get up early now, dive clear into the day.

At the moment I am working on a cover for Rachael Dadd's forthcoming Moth in The Motor EP.

I've made a little sketchbook for my the moment they are all very Tinguely-inspired, and I've been experimenting with masking fluid too...but I intend to develop it more into my own thing!

I'm also making a large poster for Back 2 Bikes, a local charity selling second hand bikes. My little brother is a volunteer there, and my own little bike was born there, and Dan's bike travelled all the way from there to Amsterdam. And now they are giving me a large sheet of paper and some spray paint, so I am very excited, as you can imagine!

And today I have been asked to exhibit some of my work at The Just So Festival next August. The festival is set in 65 acres of woodland and will have lots of fun activities for children and their families, ranging from trapeze artists to storytelling around the campfire to children's theatre. It sounds lovely, so I am really excited about this and can't wait to get started on some new ideas!

Sunday, 15 November 2009

So it's grey, well so are my favourite cities

Yesterday I went to Tate Liverpool to see Joyous Machines: Michael Landy and Jean Tinguely. It was such an engaging exhibition, I don't think anyone could fail to be fascinated by Tinguely's work. Although most of his pieces were created from scrap objects, he manages to bring so much beauty to them:

Michael Landy with Jean Tinguely's Automatic Drawing Machine: Méta-matic No.17, 1959 (Painted iron wood, paper)

Michael Landy created his own responses to Tinguely's famous self-destructive sculpture "Homage to New York" (a rambling beast which destroyed itself in 1960 in MOMA's sculpture garden) by creating images which were made by drawing in masking fluid on black paper, before scratching into the masking fluid. It was a technique I had never really considered and which I definitely want to try. Some of his drawings were very beautiful. Some of his drawings I thought were a bit too busy, but I think that is probably the point when drawing a rambling machine like Homage to New York:

Aspects of the documentary he made about Homage were amusing; a list took us through the chronology of the sculpture - it played 3 ominous notes of a piano over and over, it turned on a radio before sawing the playing radio in half, it blew up balloons, it was connected together with 80 spinning bicycle wheels, it had a "child" (called The Suicide Buggy) which banged a drum of paint and ran away half way through, attempting to drown itself in the pond of the sculpture garden, and when Homage reached a certain point the whole thing exploded coins, gunpowder and bad smells (and the smell of a roasting joint of lamb thought to be inside the piano). So this was an artwork that catered to all the senses!

The suicide buggy, one of the few things to survive from the wreckage of Homage, due to its failed suicide attempt

I really e
njoyed this exhibition. It had less of the formality of a lot of exhibitions. Movement is so engaging because it really captures the imagination of the viewer. There is an aspect of "what happens next?" or "how is it connected together?" or just a fascination with how something so appealing was all put together using objects that are so familiar to us.

Thursday, 12 November 2009

"What next? "That is the virtue of being a painter. My great fear is that if I don't paint for a week, it will be even more difficult. If I don't paint for a month, I may give it up for ever, so the constant challenge is that you must keep working. You must paint. You must draw. It's like speaking. I met a chap who was recently out of prison; he found it difficult to talk at all. So you've got to carry on doing this job. Picasso was right about it "Je ne cherche pas, je trouve" I do not seek I find. You are finding out, you are on a journey. Rather like Dante's journey."

- Arthur Giardelli, who died last Mo
nday aged 98