Sunday, 15 November 2009

So it's grey, well so are my favourite cities

Yesterday I went to Tate Liverpool to see Joyous Machines: Michael Landy and Jean Tinguely. It was such an engaging exhibition, I don't think anyone could fail to be fascinated by Tinguely's work. Although most of his pieces were created from scrap objects, he manages to bring so much beauty to them:

Michael Landy with Jean Tinguely's Automatic Drawing Machine: Méta-matic No.17, 1959 (Painted iron wood, paper)


Michael Landy created his own responses to Tinguely's famous self-destructive sculpture "Homage to New York" (a rambling beast which destroyed itself in 1960 in MOMA's sculpture garden) by creating images which were made by drawing in masking fluid on black paper, before scratching into the masking fluid. It was a technique I had never really considered and which I definitely want to try. Some of his drawings were very beautiful. Some of his drawings I thought were a bit too busy, but I think that is probably the point when drawing a rambling machine like Homage to New York:


Aspects of the documentary he made about Homage were amusing; a list took us through the chronology of the sculpture - it played 3 ominous notes of a piano over and over, it turned on a radio before sawing the playing radio in half, it blew up balloons, it was connected together with 80 spinning bicycle wheels, it had a "child" (called The Suicide Buggy) which banged a drum of paint and ran away half way through, attempting to drown itself in the pond of the sculpture garden, and when Homage reached a certain point the whole thing exploded coins, gunpowder and bad smells (and the smell of a roasting joint of lamb thought to be inside the piano). So this was an artwork that catered to all the senses!

The suicide buggy, one of the few things to survive from the wreckage of Homage, due to its failed suicide attempt

I really e
njoyed this exhibition. It had less of the formality of a lot of exhibitions. Movement is so engaging because it really captures the imagination of the viewer. There is an aspect of "what happens next?" or "how is it connected together?" or just a fascination with how something so appealing was all put together using objects that are so familiar to us.

Thursday, 12 November 2009

"What next? "That is the virtue of being a painter. My great fear is that if I don't paint for a week, it will be even more difficult. If I don't paint for a month, I may give it up for ever, so the constant challenge is that you must keep working. You must paint. You must draw. It's like speaking. I met a chap who was recently out of prison; he found it difficult to talk at all. So you've got to carry on doing this job. Picasso was right about it "Je ne cherche pas, je trouve" I do not seek I find. You are finding out, you are on a journey. Rather like Dante's journey."

- Arthur Giardelli, who died last Mo
nday aged 98

Tuesday, 27 October 2009

Robert Walser

"With all my ideas and follies I could one day found a corporate company for the propagation of beautiful but unreliable imaginings" - Robert Walser (Institute Benjamenta)

(The Quay Brother's film Institute Benjamenta, based Walser's book,
and one of the most beautiful films ever made, is due to be released on DVD next month)

Friday, 23 October 2009


I've been dipping my toe into watercolour painting...and I am starting to like it. (That's why the portrait project went downhill so fast I'm afraid. Because Dan bought me some beautiful distracting flowers and I just had to paint them.)

But now I have an exciting new project to work on - a record sleeve for a folk musician!

And I've just re-discovered this:
http://www.brucemaudesign.com/manifesto.html
In the past, whenever I was struggling I would turn to that list of delights.
Or Alan Fletcher's fantastic book "The Art of Looking Sideways".

(Its good to grow and experiment. I remember a few years ago having a tutor tell me "you really need to stop taking risks". It really bothered me, because what's the point if you never take risks with your work?
But then, when I went home that day The Short Films of the Brother's Quay had arrived in the post, and I fell into their world and realised I should never stop taking risks. And that's how I got into pictorial calligraphy.)

The Calligrapher - rejected BBC2 ident by the Quay Brothers:
http://www.youtube.com/watch?v=fgA0WBKQUqM

Rehearsals for Extinct Anatomies - by the Quay Brothers: (I can still remember my amazement at the moment when the mapping pens pirouette calligraphy spirals in stop motion)
http://www.youtube.com/watch?v=JajPuTn8IHM

Anyway, enough blabbering. Back to the drawing board.

Wednesday, 21 October 2009

Wednesday, 14 October 2009

Flying


"Bicycling is the nearest approximation I know to the flight of birds.
The airplane simply carries a man on its back like an obedient Pegasus; it gives him no wings of his own."
- Louis J. Helle jr.

A
nna Karina in the Godard film "Une femme est une femme":
http://www.youtube.com/watch?v=mbQuHu9RRkY

Monday, 12 October 2009

"I like being on the margins. You work better there." - Billy Childish



[SOLD]

"I loved moustaches. I used to draw myself with one. When I was 14, I was really into war and Van Gogh."